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Avon Terror Corps
We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

Flesh

by Monika Badly

supported by
ᴰᴶ ᴹᴱᴳᴬᶠᴬᵁᴺᴬ 🕊
ᴰᴶ ᴹᴱᴳᴬᶠᴬᵁᴺᴬ 🕊 thumbnail
ᴰᴶ ᴹᴱᴳᴬᶠᴬᵁᴺᴬ 🕊 running endlessly from a blackened wellspring, dripping down and down and down tiles and tubes and drains with a repulsive viscosity, the slime-doll digital homunculi of these tracks can be found collected, huddling in rapturous communion and neck-deep in filth at the base, the very pit of Subterranea - a hollow where nothing else is permitted to exist. Favorite track: The Leash.
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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      £6 GBP  or more

     

  • Compact Disc (CD) + Digital Album

    Entirely recycled digipak made from recycled card, egg boxes and cork. Hand-painted inside.

    First 25 copies come with a Polaroid picture. All CDs come with hand-written lyric fragments and other mysterious artefacts,

    Includes unlimited streaming of Flesh via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 7 days
    edition of 100 
    Purchasable with gift card

      £10 GBP or more 

     

  • T-Shirt/Shirt + Digital Album

    Flesh artwork designed by ex.icon and printed by Carry On Screening on EarthPositive organic t-shirt. Yellow or purple on black. Includes digital album download.

    The pictures show a mock-up of the t-shirt. These will be printed on the 3rd of August and shipped soon after. Pre-order yours now as we will only print a limited run based on orders placed before print time.

    CARRY ON SCREENING are a long-established screen printers specialising in ethical campaigns and tour merch. Located in a disused quarry on Cloud Hill, In Temple Cloud Somerset Carry On Screening is proud to be part of Rockaway Park, an ever-expanding community of diverse and interdependent talents. Their studio has been built using recycled and repurposed materials. They draw electricity from Rockaways solar panels affixed to the studio's roof, and when necessary from Ecotricity which supplies green energy. Read more on www.carryonscreening.co.uk

    Includes unlimited streaming of Flesh via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ... more
    ships out within 7 days
    2 remaining
    Purchasable with gift card

      £28 GBP or more 

     

  • T-Shirt/Shirt + Digital Album

    Flesh artwork designed by ex.icon and printed by Carry On Screening on EarthPositive organic t-shirt in yellow or purple on black + recycled digipak CD. Includes digital album download.

    Includes unlimited streaming of Flesh via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 7 days
    edition of 15  9 remaining
    Purchasable with gift card

      £35 GBP or more 

     

1.
2.
The Leash 04:44
3.
Doppelganger 04:47
4.
5.
Gloom 07:35
6.
7.
Bark! 05:17
8.
9.

about

Avon Terror Corps presents to you the latest ≯̧̢̧̤̱͌̔̔̑͋̓̅̽̑̔≯̞̟̦̱͇̖̟͍̟͈̹̣̠̋͂̏̓̇́̃̓͒̋̊̈́͊̉͗̃͆͗̈́̉͛̅̒̉̎͑͂̉̊̍̕͝ͅ>̶̡̼͚̲̰̼͕̤̖͉̪̬̠̝̙͔̗̜̮̅̽̆̅̀́̀́́͋̔͗̀̎̀̈́̚͘>̵̧̡̢̧̢̧̧̨̣͙̯̞͈͖͔̙͙͎̮̪̙̞̩͙͖̻̩̬͙͎̝͇͕̫̠̩̟͚̤͉͍̖̰͙̣̖͎͚͂̀̃͗̾̍͜ͅ≯̨̛͈̙͙̳̪̠̬͓̯̜͍͆̈́́͐̓̋̀̋͑̑̌̀̃̇̈́͑̑̄͛̈̾͒̾͆̏͘͜͜ͅ>̷̢̡̛̰͇̻̰̼̯̮̖̹̝̱͙͚̳͉̯̩͔͓͎̹̘͈̼̹̯̤͖̀̈́̽̆̉̔́͛̀̅͌̏̀͛̊̃̔̅̃̂̾̆̒̓̈͊̋̊̉́̍͗͗͋͌̍͌̽̌͘̕̕͘̚͜͝͝
from Monika Badly.

A cursed diskette released due to a brief slackening of the chains holding them in bondage during one of their many Avonian sonic terror rituals performed over the last year.

As fleeting as it was, the containment breach was enough to disrupt the most recent ATC program of cyberspace legend trips with a newly encoded digital phantasmagoria, now made available for broader
access via physical replica or as a download that can be separated into audio files for playback via a file archiver of the user's choice.

Upon extraction, the first file will reproduce a drone consisting of carefully selected frequencies to interrupt all processing of proximal stimuli. Instead, a synthesized panorama of cementum rubble and odontoblast-carpeted ruins is projected behind the eyes as the listener is now held in a state of still conscious cryonic suspension, aware of their fragile physical form now being held surrounded by the dissonant whining of invisible machines inserting tendrils between the intervertebral foramen.

As the user progresses through the second file in the program, they are given a false sense of escape as the vision gives way to a sonic projection of a warehouse rave. However, this is short-lived as a feeling of nausea washes over them, and they realize that beyond the brittle drum machine battery coming from the front of the space, all they can hear is the howling judgment of the AI-generated wraiths surrounding them who keep them on a tight leash as they attempt to traverse the dance-floor. Interrogational transmissions then begin to bombard the user, reaching unseen and newly implanted biomechanical receivers, convincing them that they are in fact, internal thoughts, resulting in the complete destruction of the mental
self in time for the R̵͇͖͙͇̤̺͈͠ḯ̸͓̼̮͂̿͑̿̀t̶̨̳̝͉̣̖̠̎͛̂̃͝͝ū̶̖̓͊̿̓̿ͅa̵̒̌̅̕̕̕͜l̷̟͖͔̲̑̇̊̇͐̍̎ ̵͉͓̖̾͛͛̉͠ͅO̸̻̾̒͌̓f̶̜̞̓͒̏̚ ̷͍͎̞̏́͂̌͌͒̑P̵̧̳̙͇̊̿͑̾̚͝ǘ̷̟͖̭͓ȑ̴̢̢͈̻̞̯̲ǐ̵̡̩̩̹͖͗̑f̴̳̮̖̟̔į̷͉̺̱̝̋́͒ͅc̵̙̪̳̪̀̕a̴͕̭̜̎t̸̨͇͇͍͂̿̾i̷̫̺̭̠͛o̸̩͐n̸̩̞̥͚̩͇ held within file four.

Here the user is physically changed beyond all recognition. Sheets of metallic, harsh noise rend flesh from bone. At the same time, simulated drums set a funeral tempo for machines working with the deliberate motions of a demonic invocation as they rebuild a superior metallic exoskeleton around the participant within the F̴̡̧̨̧̢̢̠̰̜̜̰͕̺̞̺̥̗͇̜̰͈̘̦̥͔̳̱̼̩̼̼̈̀͛͗̊̓͑͗͑̾̈́̈́͜L̴̢̛̩̠͚̯͉̞͈̖̳͓͓͉̝̣̙̺̺̮̤̂͆̓̾͗̓̄̀͒̓͛̏͘͜Ê̴̝̒͆̃̌̈́̈̽̽͐̎̍͒̉̊̃̋͊̈̔̾̓͋̑̀̈́̏Ṣ̴̡̺̻͙̺̘̼̰̬͔̗̫͊̾̐͒̈́͊̄̉̊͛͌̉͑̕̚̕͜͝͠Ḧ̷̡̨̧̧̨̞͖̱̺̯̻̹̻̠̞͇̜̝͔̬̼̻͈̹̠͉̮̺̼̳̳̳̰͍̹̱̞͙̒̋̒̓̌̂̊̈̏̀͗̊͆̋̃̀̃͊͘̕͘̕̚͝ͅ ̴͍̭͋̀͗̂̎̃̾͐̉͂̅̎́͗͐͛͂̉̆̔̏͘͠͠͠ program.
As file five runs its course, the user begins to hear their heart beating again within their new post-human form.

Staggering forth in a state of disorientation with their PCM files for speech misfiring internally, the sonically remodelled specimen finds themselves at odds with society, Barked at by figures claiming false authority over them in a ridiculous costume, cut and dyed in colours that attempt to project fictions of morality and national identity that are laughable in this new age of multiplicity of digital identity and a life now beyond supposed biological limitations.

With the program concluding, the user may find themselves faced with moments of doubt as some remains of their human form can still be seen, falsely implying limitations for social interaction or within constructs such as gender. Withdrawal and acceptance of life in darkness, sealed in a tomb prematurely away from society, seems inevitable unless a unity with those others who have experienced the F̸̢̢̧͔̙̱͉͚͔̥̳͕̳̫̠̱͔͇̲͕̏͛̾̓́̏́̒͗̍͆̾̈͊̀̔͆͆̾̅̎͊͐̂́̈́̽́̕͜͝͠͝͝L̷̢̧̡̛̫̞̪̟͖̼̱̤̘̞̞̬̭̳̯̜̤̩͕̭̞͙̠̥̪̤̟̰̦̖͕̖̺̺͓̝̬̲͎͍̣̇̈́̆̎̔̽͗̔̎̀̈́̆̿̀̅̀̒̆̇͛̅͒̌́̍̊͛̓͗͆̓̄͐͆̓͆̽̕͘̕̕͜͜͜ͅͅĘ̸̨̡̨̛̛͚̙̻͓̥͍̲̰͎̘̳͉̩͈̳̺͓̪̟͉͙̘͚̟̙̂̿̀̾̉͑͒̿͂̆̀͂̆̏͂̍̈́͜͠ͅͅS̶̨̛̱̳̙̻̤̯̬̘̰̲̣̲̉̓͊̐́̑̎̌̆̀͊̇́̎̓̍̽̄͋̊͒ͅḨ̴̧̨̢̢̧̛̫̬͎̖̪̻͙̺̤̙͍̥̘̟͉̱͈͈͉͙̣͕͙̪̟̘̻̝̣̥͕̼͕̬̤̍̍̅͋͊͋͐̆͆͗̎̾̂́́̆̅̍͌̊̋̓̉̀̌͊̇̏̆͊͂́̋͂̈̂̋̀̈́̀͆̕͜͠͝͝͝ͅ p̶̫̌͛͋́͐̑͑̑̒̅̆̆́̏ŕ̶̡̨̟̻̥̲̠̤ó̵̝͇͔͙̯̞͔̫̑̾̎̈́̀̒͐̇̀̋̾̓͆̐̊̿͂͌͊̈́̐͒͒͝͝͝͝͠͝g̶̢̡̢̡̧̨̛̺͕͎̳̰̘̝̞͇̬͙̝̳̖̩͓̯͖̮̯̜̠͓̠͉͖͔͍͕͕̞̟̣̹̾̅̓͒͌̔̾͗͂̽͒͊̈̿̄͘͘̚͜͝ͅr̴̡̨̢̺͔͚͙̞͍̣͕̪̻̱̬̜̺͕̮̺̦̪̜̜̙̮̙͎̤̥̝̥͔̓͗͋̓̈́͒̊͋͑͜͜ą̵̡̨̧͈̺̜̻͖͚̱̭͎͎͉̱̭͇̣̭̘̬̠͉̘̩̪̼̰̦̲̖̩͖͔͚̲̰͍̥̃͒̓̈́̎͛́͒̔̾̊̆͌̉͊́̉͆͗̕͜͜m̵̢̧̯̫͇̰̱͉̪͍̱̻͚̟͎͉̬̜̱͚͇͔̎̑̒͛̌̓̇͂͜͜͜ͅ ̸̨̛̖̱̳͎̜̜͙̥̳̹͇͎̝̘͆̐̍͌͒̑̆̂̈́̋̅́́͆̒́̌̄̎̉̈̐̾̕̕͜͝͝͠f̴̢̫̫̜̳̹̪̖̤̟̯̼̥̖̹̉́̍̓̿̀̂̄̇͘͠o̶̝̘̲̪̙̲͕̣̥̮̹͉͎͔͇̞̭̪̙͈̰͎̦͎̮͉̰̫̲͔̼͖͆̉̇̂̆̎̑̑͐͑̋̍̓͆͊͌̄̔͆͒͗͑͛̄̄̓̕͘͝͝͝͠ͅͅr̴̯̠͍͉̫̜̲͙̖̓͐͊͗͂̍̿̂̋̊̓͘͜͠ ̷̢̛̛͖̜̱̥̣̭̣̭̙͖̞͖̦̰̗͇̣͇̤̹̋̈́̈́̃̓̇̑̇̉̐̈͒͒̔̋̀̌̾̾̓̋̍́̊̑͂̚͝͠͠â̷̢̛̛̼̤̼̻̬͔͎͔͈͈͓̬͖̙̭͖͇̺̺̫̲͖͍̩͇̬̘̭̯͓͇̙̝̱͍̦̱̰̜̳̙̯̥̠̍̂̀̿͗̂̌͛͂́̑̿̅̄̀̋̈́͒̈́̿͑͌͆̂̅̆̀̃̃̓̈͊̕͝ų̸̧̢̡̧̨̢̧̛̝̼͚̝͕͍̻̞̬͓̗̱̟̫̤̖͖͖͚̻̟̥͖͉̜͎̠̰̜̮͙͇͚̣͈͍͔̭͕̹̈́̃̏͋̇́̆̏̏̄̐̉̿̏͂̿̃̀́̍̑̈́̂̒̂̿̽̇̆̓̚̕̕͜͝͠ͅr̸̝̆̎̈́̓a̷̡̧̧̡̛̛͎̻̮̮̣̼̳̗͈̮̺̪͍̳̝̥̟̬͚̗̲̩͖̰̥͖̝̥̩̝̣̼͙͍͖̪̣̻̹̥̘͍̖͕̤̍͑̋͌̀̏̆̇̇̈́̿̄̓̚͝͝l̸̡̹̮̠̳̝̗͙̓̏̈́͂̒̽̉̈̽͒͛͘͝l̵̢̡̡̡̡̨̯̲̮̬̖̤̭̹͖̙͍͓̪͚̭̖̹̺͕̦̦̠̗̩̩̹̺̣̻͚̩̐̓̿͋̈́͛͝ͅy̶̡̛͈̣̳̭̦͓͖͊̇̏̾̀̉̓̍̀̈́̎͘̕͝͠ ̸̨̼̯͈͚͕͉̫̭̬̮̘̹̖̹͕͉̐͂̆͑̓̇́̅͗̂͊̐̈́̋͑̂̋̐̇̀̇͋̋̐̑̈̽͆̆̾͌̎͒̂̍̋͘͜͝͠͝d̵̢͉̱̲̘̩̣͈̥̰̯̹̱̤̱̼̟̿͊̾̈́͒͆͋́͌̂͑̊̈́͑͛́ŕ̸̢̢̨̙̭̬̦͙̫̼͈̘̦͐̍́͂͗͒̌̂̍̚͝͝ͅį̷̨̡̛̥̳̘͎͔̪̩͔̖̱̫͍͙͉͉̳͎͕̏͊̋́́̀̆̓͆̾͑̆͐̚͘̚v̷̡̢̧̛̛̦͉̺̗̙̗̳̱̪͉̜͚̝̱̻̺̻̱̤͚̻̙̗͈̝̑̔̄͒̔͐̾̔̈́̓̃̊̓̒͗͂̀͋̀̑̀̅͋͑̇͛̈́̾̋̍̿͐̍͂̊̃̀͐̊̍͌͘͠͝ȩ̶̧̥̹̩̥̩̺̩̝̼͂̓͗̅̊̓̈́̽͂̃̋̿̒̊̀̽́̑̋̀͋͗̎͂̋̽̈͒͑̿̀̾͠n̴̨̡̧̢̡͕͖̦͉̤̟͍̻̳̼͖͙̜͍͇̼̦͎͔̠͔̰̻̣̫̣̙̰̣͉̣͉͓̫̯͖̘̠̞̩̭̐̈́́̎̿̾̇͋̅̍̾̐̆͂͋̿̈́̈͑͆̌̔̈́̉̋̈́̉̏̽̀̽̕͝͠͝ͅ ̵̨̡̨̧͈̫̪͈̤͎̹̱͉̜͚̼͖̘̳̬͉̦̩̰͕̦͔̠̲͔̯͉̜̦̠̭̲̼̳́̈̀̅͋̊̚͠ͅͅt̴̢̛̛̛͎̭̮̱̠̩͙̭̤̤̿̄͒͒̃͆́̿̄͊̓̆͊͌́̋̔͐͑̅̂̉̆̈́̈́̽͌̿̑͗͒̓̉̈̍̈́̔́̾̚̕͝ŗ̵̢̛̙͎̠͓̥͕̟͕̼̲̻̥̥͈̘̳͉̙̪͔̜̲̱͕̯̝͓̞̙̠̣͕͍̗̪̥̼͓͍̝̅̈́̓̀͋̏̿̆̉͆̃̓͋͆̆͒̅̿̽͂̚͜͝͝ą̸̢̠̳̣̱͕̱̥̱̲̪͉͍͎̯̞̰̬͚̥̤̟͍̟͚͎̫͈̖̭̳̘̘͇̹̮͉̙̗̞̙͉̓̉̎̆͆̃̀̉̽̉͜͠͠ͅņ̴̡̢̨̨̢͈̰̭̗̥͍͔̖͚̖̳͎̣̳̤͕̰͙͕͓̥̥̫̟̣̜̯͕̤̫͕̝͕͎͙̗̏̽͛̀͗̍̈́̔̐͐̔͂̄̆̑̂̾̂̄̈́̄̓̔͘͘͘̕͜͜͠͠͠ͅš̵̜͚͆͗̊̄̿͊͒̃̿̀̄͊̑̽͌̈̓́̈́̆̓͛́̃̋̆̑̆̓͑̒̒̍̃̚̚͘͝f̸̧̡̱̱͙̳̦̰͖͈͙͔͎̤̤̥͍͈̗̗͓͈̜̥̤͖͍͎͕͓̱͖͓͓̙͔̞͎̝̘͔̫̓̈́̇̌̓̄͛̈́͑̔̆͌̃̎̆̎̀̆͐̈́̂͂͐͆͌̍̀̎̀̌̍͐͊̃̀̿̊͌̏̀̏͑̕͘͜͜͠͝͝͠͝ͅǫ̸͚͔̪̥͇͇͇̣̯̩̻̏̏̉̋̽̓͂́͒̆̉̅̔̌̾̽͑͂͗͛̈́̓̅͆̀̑̎̀̀͛̕͘̚̕͠ͅr̸̨̲̜̼̘̭͍̘͖͎̫͉͈̗̼̝͈͎̣̳̬̯̳͙̫̮͕͘͜m̸̧̡̧̛̪̙̩̮̣̪̳͕͔̩̞̜͉̫̞͈̺͇̫̫̗̬̭̟̤̲̪̱̮͖͖͚͍̟͈̞̯̭̯̪̈́͆̀̈̏̈̅̋̃͂̏̓̂̆̓̃̈́͊̆͒̀́͊̍͗͆͂̆̇͐͗̄̏͂̀̇́̓̈́͂̚̚̚̚͜͠͠ą̵̧̡̨̢̹̣̘͙͇͚̣̠̻̜̱̥̱͍̗͙̰̦̦͙̫̹̍̀̆̄̃̃̏̒̉̈̉̐̉̒͌̓̋̅̓̆̅̉̚̚͝t̶̨̢̛͇̖̯̰̱͍͙̮̙̼̙͙̞̞̘͕̺̮͈̮̪̜͌̐͗̈́͊̌̅͒̎̍͗̽̐̈̋͛̿̍̇̒͐̽̅̕͝i̷̡̢̛̛̺̬̥̗̺̱̝͇̞̦͙̜͉͚̩̬̼̼̫̙̮̯̯̲̮̭͗̐̾͌͛̍̔̋̌̀̿̎̑̿̄̏̒͛̋̃̀͗͑̊̆̓͜͠͠͝͝ͅͅͅơ̷͙͚͎͍͈͉̣͊̃̓̋͆̀̃̆͊̍̒̎̾̈́̀̔͛͑̅̒͂̌͛̕͘̚͝ͅͅn̸̨̨̧̨̲͕̜̱̯͕̞̤̟̬̤̦̱̼͖͍̬̬̰̤͉̩͙͎̺̬̹̭̝͍̼̻̠̜͎̹̺͖͔͖͎̞̳͎̖̈͌̇̂̋̎̇̽͌̂̽͑̈́̃̇̅̈́̍̑̎̆͑͑͛̃̐̑̀̎̏͗̋͋̚̕̚̚̕͝͝͝ͅ ̴̢̧̼̰̳͕̝̥͖̻̜͕̻̩̺̫͖̬͚̞̗̣͌́̇̿̎̑̽̅̌̚͜ĉ̷̨̡̭̻͇̣͎̦̱͙̤̹̖̜̝͔̰͍̰͇̤̦͍̥͕̟̤̟̲̭̺̩̺͍͎̖̊̈́̄͌̂̾̈́͂́̈́̋̽̄͗̀͛̍͆́͋̀͋͗͐͒̿̀̆̓̀̑̄̃̓̕͜͝͝͠ͅa̶̖̲̬̙̹̗͊ņ̷̢̮̗̱̺̻͍͕̲̻̙̖̼̰̬̣͈̥͎̜̰̮̝̖̖̮̞̪̼̞̟̹̥̟̰̩̟̩̯͒̎̋͒̐̒͑͂̅̀͂̂̿̿̀̆̈́̑̐̀̽̾̅̈́̌̚͝ ̶̝̺̠̤͚͓̻̈͆̽̅͆̀̒͑̏̒͌͗͛̀̎̐͗͛͐̀̚͜͜b̶̛̟̯̟̯̹̹̣̣͖̖͇͎̤͙̙̣̰̠͖̓̈͊͋̅̈́̑͌͆̎̃̈́̀͛͆̓̒͊̿͑̏̾̿͗̂̓́̕͘͜͝͝ͅȩ̵̨̡̨̛̪̜̯̯̯͓͚̮͇̳̲̪̪̦̣̹̳͙̟͔̖̭̰̰̹̟̙̫̫̠̳̹̬̭̞̰̞̦̰͚̤͋̔̊͂͐̀͛̍̔̌͋͑̀̆̈́̽̓̈́̈́̀́̾̄̄͛̔͐́̽̕̕͘͝͝ ̸̢̢̡̢̛̤̭͕͎͉̬̟͓̫͖̬͙̯̟͕̰̲̙͈̮̦̠͓͙̦̮̼͓̰̜̦̫͙̤̣̤̞͇̠͒͒̀̅̎̓̌͛̀̈́̽̉͘̚͜͜͝f̸͕̞͎̭̜̖̞̠̗̞̤͚̞͖̔̏̍̾̔̄̈͗̇̍̏́̓͗o̸̢̧̨̢̨͉̮͍̺̳̪̻̹̱͈̤͚̜̥͙͎͚̜̫̥̻̦̰̥̭̞̫̱̖̮̺̤͔̮̝̎̃͌̔́̏͌̂͜͝ų̶̛̛͙̟͈̣͇͓̦͚̟̈͋̉́͐́̌̒̀̀̊͛̅̂̓̂͋̽͗̿̑̅̿̐͐̒̿́̾̇̇̓̀̊̚͘͜͝͝͝ņ̷̨̨̢̡̧̨̧̢͈̹̝̺̲͚̥̝̥̤̹̮̮͙̟̟̝̳̩̻̗͇̱͉̗͕̱͇̖̤̜̗̣͉̻̮̪̺̏̈́̍͑̌͌̐̑͛̽́́̉̎̄̃͆̈́̉͋͊̌̒̄̂̿͊̂̈̒̚͘̕͘͝d̵̩̣

credits

released July 10, 2023

Written and produced by Monika Badly

Mastered by iON ghOST

Artwork by ex.icon

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Monika Badly Bristol, UK

Noise Demon and Performer of Sonic Terror Rituals. Hellscape Gardener and Wrangler of Cursed Electronics. No good shall come of this

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